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By Arthur E. Schlueter, Jr.
The pipe organ is an ancient musical instrument that utilizes wind-blown pipes as
its sound source.
Prior to electricity, pipe organs were played via a mechanical action, using trackers
or tumbler pneumatics. Tracker and tumbler pneumatic actions require close
proximity of the organ keyboard to the organ pipe work.
The advent of electricity resulted in the ability to play pipe work by means of
electro-pneumatic and electric action. By using low-voltage direct current (DC)
electricity the organ keyboards could be detached from the organ pipe work,
utilizing electronic magnets with valves and electro-mechanical actions to play the
pipe work.
Electricity also allowed other musical sounds to be played with the organ pipes.
Chimes (tuned metal bars that imitate the sound of a harp), glockenspiel,
xylophone, pneumatic controlled piano, and bells, are a few of other musical
sounds electrically controlled from the organ keyboard which were used to
augment the organ registration. Theatre and Municipal auditoriums had extensive
percussion and special sound effects that were used in conjunction with windblown
pipes.
The invention of the electronic organ by Laurens Hammond, introduced in 1934,
and the development of the electronic organ during the 1940’s ushered in the
incorporation of electric and electronic “organs” which attempted to imitate the
sound of pipe organs, albeit in a limited way. These early electric and electronic
organs imitative sounds were quite primitive, when compared to the majestic
sound of a wind-blown pipe organ.
Several of the major American pipe organ builders in the 1940’s and 1950’s were
involved in a study to develop analog organ pedal stops that would take less space
and cost less than sets of wind-blown 16’ and 32’ pipes.
The most noteworthy example of the use of such analog stops was by the famous
Aeolian-Skinner Pipe Organ Company. Although not the same tonal quality as real
wind-blown pipes, Aeolian-Skinner’s position was that the analog stop was
acceptable if space was not available for wind-blown pipes.
Digital pipe sampling technology has reproduced the sound of organ wind-blown pipes,
recorded and reproduced through electronic processors, amplifiers and speakers.
The inexpensive digital electronic organ has allow individuals and churches with a
limited budget access to this technology.
American and European pipe organ builders in some cases are incorporating pedal
digital stops; this is a growing trend in pipe organ building. Some pipe organ
builders also incorporate custom digital stops into the pipe organ in divisions other
than the pedal division, or use digital stops to augment the wind-blown pipes.
Examples of situations where a pipe organ builder may include digital stops
include:
• Pipe organs that were built and installed with a stop “prepared for,” meaning
there is a stop control in the console in anticipation of possible future
expansion, however, the pipe work is not installed.
• Pipe organs that have a complete division of the organ “prepared for” (i.e.
Antiphonal, Solo or Choir division) digital stops can be incorporated into the
pipe organ for a fraction of the cost of wind-blown pipe work.
• A pipe organ that has stops borrowed between divisions, such as playing the
same set of pipes in the Great, Swell and/or Pedal divisions.
• A stop may be unified, meaning one set of pipes plays at different pitches in
the manual divisions and/or Pedal division.
In the above instances, digital stops could be incorporated into the pipe organ
without replacing pipe work, intending to supplement and play with the pipe work.
When is a Pipe Organ NOT a Pipe Organ?
It is not sufficient to say that pipe organs are built by pipe organ builders and
electronic organ and combination organ are built by electronic organ or instrument
companies.
The distinction is that a Pipe Organ is a wind-blown instrument and its design,
mechanical and electrical engineering, and installation make it a fixture of the
building where it is installed. Pipe Organ building actually encompasses thirteen
trades or construction specialties.
Pipe Organ Builders custom build instruments that are one-of-a-kind and which
will not be reproduced, because it has been specifically designed and engineered
for a particular room or space and use, which results in a unique instrument,
physically, visually, and tonally.
Electronic organs and combination organs (electronic organ incorporating windblown
pipes) are built with their primary sound source based on digital technology.
The intent of a digital organ is essentially to clone, or artificially reproduce the pipe
organ sound. Generally electronic organs are mass produced, although choices
may include different models, specifications, console finishes and accessories.
Although electronic organs can be ordered with custom features, generally the
majority of the organs purchased are based on similar specifications and console
designs, and are produced in prescribed models, which are changed periodically.
The question arises “what makes a pipe organ a pipe organ, and does adding
digital stops to a pipe organ change it from a pipe organ to something else?”
When a large number of digital stops is added to an existing pipe organ, it
still is a pipe organ; it was conceived, designed and built as a pipe organ.
When a digital electronic organ console is added to a pipe organ, does the organ
become a electronic organ or combination organ? In this case it is still a pipe
organ, as originally conceived.
So the answer to the question, “when is a pipe organ NOT a pipe organ?”
is simply NEVER!
What’s the Difference?
It is important that there are distinctions between the three types of organs: pipe
organs, electronic organs, and combination organs.
When insuring organs against damage, notice the distinction that Pipe Organs are
considered a building fixture, as they are attached and in some cases the structure
has been built around the physical requirements of the organ, while electronic
organs are classified as accessories, which generally are not permanently
attached.
This is further verified in the National Electrical Code, which has an entire section
of code specifically for wiring pipe organs, Article 650 Pipe-Organs, and includes
the codes related to Electronic organ wiring separately under Article 640.
How then do we classify a Combination Organ, that is an electronic organ which
was designed as a digital or analog organ and then augmented with one or more
sets of wind-blown pipes?
A combination organ would be in the same classification as an electronic organ.
The wiring in the organ console would be governed by the NEC Code 640, and the
pipe organ pipes and associated equipment added to the digital organ must
comply with the NEC Code 650 for pipe organs.
The pipe organ is a musical instrument which has evolved over the centuries, and
although there have been changes in technology and engineering, it is still the
standard and model that subsequent instruments such as the digital organ and
combination organs try to mimic.
About the Author
Arthur E. Schlueter, Jr., founder and CEO of A.E. Schlueter Pipe Organ Company,
has extensive experience writing and developing standards, guidelines and codes.
He was the Associate Executive Director of the Southern Association of Colleges
and Schools responsible for setting standards for higher education. For nine years
he has served as a committee member of the National Electrical Code Panel 12
and was the principal submitter of Code 650 - Pipe Organs, and Code 640 which
includes electronic organs. He is licensed in multiple states as a low-voltage electrician,
has earned B.A., M.Ed., and Sp.Ed. degrees, and is a doctoral candidate.
NOTE: This document has been compiled for reference purposes using information
from public domain sources, and Code material from the National Electrical Code.
The author of this document, Arthur E. Schlueter, Jr. is a member of Panel 12 of
the National Electrical Code. This document is copyrighted by A.E. Schlueter Pipe
Organ Company,
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