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Two Manuals, Ten Ranks
SPECIFICATION:
Great
8 Principal, 61 pipes
8 Koppelflote,
37 pipes
8 Viola, 61 notes
8 Viola Celeste TC, 49 notes
4 Octave, 12 pipes
4 Gedeckt, 61 notes
2 Fifteenth, 12 pipes
II Mixture 1 1/3', 122 pipes
8 Trompette, 61 notes
Swell to Great
Swell
8 Gedeckt, 61 pipes
8 Viola, 49 pipes
8 Viola Celeste TC, 49 pipes
4 Viola, 12 pipes
4 Koppelflote,
12 pipes
2 Waldflote, 24 pipes
1 1/3 Quint, 54 notes
II Sesquialtera, 37 pipes
8 Trompette, 61 pipes
Tremolo
Pedal
16 Subbass, 32 pipes
8 Principal (Great)
Trim for the case in production.
8 Gedeckt (Swell)
4 Octave (Great)
4 Flute (Swell)
8 Trompette (Swell)
Great to (Pedal)
Swell to (Pedal)
Tonal Resources
8 Principal, 73 pipes
8 Koppelflote, 49 pipes
8 Gedeckt , 85 pipes
8 Viola TC, 73 pipes
8 Viola TC, 49 pipes
8 Trompette, 61 pipes
II Mixture 1 1/3, 122 pipes
1 3/5' Tierce, 37 pipes
16 Subbass, 32 pipes
General
Music Rack
Pedalboard Light
Balanced Expression Pedal for Entire Organ
Balanced Crescendo Shoe
1,2,3,4,5,7,8,9,10 Combination Presets
Trim after gold glazing.
General Cancel Piston
Setter Piston
8 Levels of Combination Memory
Wind Indicator Light
Crescendo Indicator Light
The instrument is capable of playback/record
The instrument was set up and tested in our erecting facility before being shown to the Lumpkin UMC Organ Committee. The organ was disassembled, delivered, installed, and tonally finished shortly after these photographs were taken.
DESCRIPTION
The congregation of the Lumpkin United Methodist Church in rural Georgia pursued replacement
of their electronic instrument with several goals in mind. Foremost was the desire for the
superior sound of wind-blown pipes and the longevity of a pipe organ. Many of the organ
committee members were descendents of the founders or longtime members of the church and
they saw this project as an opportunity to provide an instrument for future generations.
The placement of this instrument was a challenge because there was no planned space for a
pipe organ and no good location for the console. The sanctuary is in a half-round configuration
with seating for 125 congregants. However, we knew that with proper placement of the organ,
the intimacy and acoustics of the room would allow the use of moderate scales and unforced voicing.
The former choir loft was immediately considered for placement of the organ. Proving to be an
ideal space, the niche had in recent years been used for the piano and electronic organ. To
solve the problem of console location, it was decided to build an attached console.
Architecturally, the organ case is historically inspired and evocative of design elements
found in many southern rural churches around the turn of the century. The pipe shades are
open carvings composed of interlocked arched elements gilded in gold.
The case was constructed of rift-sawn white oak finished to match the sanctuary furnishings.
The console drawknobs are of turned macassar ebony with engraved insets. Other console features
include tracker-touch keyboards, playback/record capability, and multi-level combination memory.
Though small, the completed instrument visually and tonally ties itself to the sanctuary as it
serves in worship. One of the finest complements paid to our firm was made by an elder member
of the congregation: “It looks as if it were designed with the building and has always been here.
Now that it’s here, we can’t imagine not having it.”